Let’s move back to some Srila Prabhupada bhajans, shall we? Next in the series of high quality rips of Classic ISKCON records is a double LP (in a gatefold sleeve!) of nothing but Srila Prabhupada. Enjoy!
Krsna Meditation
Radha Krsna Productions
RKP 1003 (also covers RKP 1005)
There aren’t many Krishna-related double LPs out there. And only one that is fully Srila Prabhupada.
Srila Prabhupada’s Krsna Meditation was released by the Radha Krsna Productions label. That label’s first release was Acyutananda Swami’s India LP. Their third was this double LP of Srila Prabhupada, Krsna Meditation ( I still don’t know what their second release was).
Though it’s a very long record, it contains only six songs, the first five seemingly recorded at the same session. Those five tracks feature Srila Prabhupada (here called A.C. Bhaktivedanta Gosvami Prabhupada) on vocals and harmonium and Hansadutta dasa Adhikari on mrdanga drum (and not vocals). A tampura and a couple of kartalas are in the mix as well.
Unlike the Acyutananda Swami release, there’s nothing really mysterious about this one. No odd cross-record label antics, no strange cut-out markings, no bootleg quality recordings. This is a very straight forward Srila Prabhupada record. That is, until the last song rolls around. More on that in a bit.
One of the cool things about double LPs is that they often have gatefold covers. Krsna Meditation is no exception. The inside of this gatefold sports a huge picture taken during the recording session of Srila Prabhupada in the studio with Hamsadutta, Haimavati and, I assume, Cakravarti or Purijit das brahmacari (the latter three played kartalas on this record).
A paragraph appears on the lower left corner of the gatefold. It reads:
The singing of His Divine Grace A.C. Bhaktivedanta Gosvami Prabhupada is pure devotional music in praise of Krsna – Meditation, Srila Prabhupada explains, is not inactive, impersonal or void. Meditation is the awakening of the soul’s eternal relationship with the Supreme Person, Krsna. One who has experienced such an awakening cannot stop meditating on Krsna even for a moment, just as a young boy who has fallen in love with a young girl cannot stop thinking of her at any time. One can sing for Krsna, dance for Krsna, cook for Krsna, think for Krsna, work for Krsna or even fight for Krsna. In this way doing everything for Krsna, in the end one returns to Krsna.
By Hearing the spiritual sound vibrations of His Divine Grace A.C. Bhaktivedanta Gosvami Prabhupada, the listener is immediately elevated to the platform of Krsna meditation which brings supreme peace and bliss within the heart.
This mixing on this album is interesting. Srila Prabhupada’s vocals are up front and in both channels, as you’d expect. The kartalas are in both as well. The tampura is lurking somewhere in the right channel while the mrdanga’s small, higher head pops up in the left channel as the larger, bass head hangs out in the center – an fun idea that works nicely.
Here’s the track listing…
Krsna Meditation Part I
Side A
1) Prayers to the Six Gosvamis
Side B
1) Gaura Prahun
2) Sri Krsna Caitanya Prabhu
Krsna Meditation Part II
Side A
1) Jaya Radhe Jaya Krsna
Side B
1) Yasomati-nandana
2) Cintamani
My copy of this album is in very near mint condition. The cleaning up process that I do was amazingly easy. The few stray pops and clicks that I had to deal with were no problem at all (except for the beginning of track two). The first three and a half sides of this double LP were a relative breeze to complete. That leaves “Cintamani,” with oodles of pops, clicks, weird flutters and lower volume as a bit of an anomaly.
But it was no mystery. Acyutananda Swami’s India LP was the same way. The record was in near mint condition, yet the whole thing was full of pops, clicks and general noisiness. And so just like the India LP, “Cintamani,” the last song on Krsna Meditation is a recording recorded directly off another record. The pops and clicks don’t come from my copy, but from someone else’s dusty, dirty copy of some other record that apparently featured Srila Prabhupada singing “Cintamani.”
While the rest of the album has cleaned up very well, there are still quite a few blemishes within “Cintamani.” I did what I could and it’s not at all hard on the ears. It features Srila Prabhupada on vocals and harmonium with a devotee or two on kartalas and a very buried mrdanga. No tampura here. This comes from a completely different recording session.
Two releases later, Radha Krsna Productions took Part I – Side A and Part II – Side B of this record and released it as Krsna Meditations (RKP-1005). Same title, same exact front album cover and nearlyidentical back cover, but half the music. Even the matrix etching reads: RKP-1003-A for the first side and RKP-1003-D for the second, just like RKP-1003, the subject of this post, indicating that RKP’s fifth release used the same plates to press the vinyl as their third release (which means that the shoddy sound quality of “Cintamani” is still there).
Sometime later, a record label calling itself Radha Govinda Productions threw together a hodge podge of recordings from other records and used a ten minute edit of “Prayers to the Six Gosvamis” from Krsna Meditation. That was mysteriously punctuated “Prayers to the Six: Gosvamisos.”
Krsna Meditations is one of the few records that was ever (partially) made available on cassette and CD under (basically) the same name. It was released by Bhaktivedanta Book Trust as Krishna Meditations in the late 80s as Timeless Meditations And then later, in the mid-90s as Krishna Meditations, part of the “Gold Series.” Both rereleases, however, lops off the last song (the noisy “Cintamani”) and seem to have edited “Prayers to the Six Gosvamis” (the first song) down to less than eight minutes (it’s original is just under 18 minutes). Also, the song titles on the newer release are changed to their more “proper” titles. “Prayers to the Six Gosvamis” becomes “Sri Sri Sad-gosvamy-astaka,” while “Sri Krsna Caitanya Prabhu” becomes “Savarana-Sri-Gaura-pada-padme.” This edited down CD is still available.
As for “Cintamani,” I’ve searched through the Srila Prabhupada Vintage Series recordings and found no trace of this version of “Cintamani” (which is usually renamed “Brahma-samita”). Where this came from and where it’s gone is beyond me and seems to be only available on this album (and it’s smaller re-release – #1005).
So, why settle of rehashes and edits when you can get the whole thing right here!
This Double LP is available as high quality mp3s and as “lossless” FLAC files. For most of you, the MP3 at 320kbps will be more than sufficient.
Just click on the button and it’ll take you to a page where you can download the zip file. Then open the zip file with WinZip (or whatever program you use to open zip files). Add to your MP3 library or burn it to a CD-R. Easy as pie!
Download the FLAC files, if you like: Part One, Part Two, Part Three
Technical Information:
Media Used:
Vinyl Double LP from my personal collection.
Hardware Used:
Turntable: Audio Technica PL-120A
Cartridge: ATP-2XN (Stock)
TCC TC-750LC Audiophile Phono Preamp
Soundcard: Roland Edirol UA-1EX USB external soundcard
Software Used:
Audacity 1.3.7 on Linux Mint 7
-Digital recording from soundcard
-Editing and splitting of tracks
Gnome Wave Cleaner 0.21-10
-Manual and automatic click/pop removal
SoundConverter 1.4.1
-Converted WAV to 320kbps MP3 and FLAC
Artwork Scanned from Original @ 300 dpi with XSane .996
Edited and Restored Using GIMP Image Editor 2.6.6
