Prabhupada Letters :: Anthology 2014-02-15 15:14:00 →
Prabhupada Letters :: 1967
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Bhagavatam class in Coimbatore (Feb 10)
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Below, the head of the Art Department, Drdha Vrata das answers frequently asked questions.
My crew and I have been given the task of making the artwork being designed for ToVP. This means, after the designs are finalized either for deities, dioramas or architectural elements, we get it done in the required materials, size and finish.
Primarily, we have been working on creating the Guru-Parampara deities, which will be included on the altar line-up, along with Sri Panchattatvas and Sri Radha-Madhava-Astasakhis. The deities of 15 Acharyas from the 6 Goswamis down to Srila Prabhupada, will all be life-size and cast in Bronze.
Our process has been to begin with the clay model of each of the Acharyas, using photo references for the contemporary Acharyas or custom designed drawings, if no photos are available.
Once, we get the required finish in clay, we prepare molds from which we cast our fiber-glass resin prototypes. Once we have all the fiber-glass models ready, we will approach the metal casting foundries to have them cast in bronze.
Up till now, 9 of the acharyas have been made in fiber-glass. We are now starting with the clay models of the Six Goswamis. The drawing of Gopala Bhatta Goswami has been approved and will be the first to start.
Well, for instance with Six Goswamis, time and effort has particularly been given to identify and depict in drawing form their appearances before proceeding to sculpting. To ensure authenticity, guidance has been taken from senior devotees such as Jananivas Prabhu.
Considerations include:
Another example is with the Srila Prabhupada murti; Jananivas prabhu envisioned the Srila Prabhupada murti with a smiling face, rather than the usual grave look on most other murtis. The idea is that Srila Prabhupada should look very pleased by seeing his desire to build ToVP manifest.
We also work on architectural elements, be it full scale column mock-ups or small scale models with design details.
Now we are working on a 30:1 model of the temple Kailash, which will top Parvata Muni prabhu’s temple model.
We start by making the basic shape to scale in plaster of paris, and then we proceed to carve the lotus petals and other design details which cover it. This will give everyone an idea of the way it will look with designs, colors and shape on a small scale.
Follow up on a Throwback Thursday’s picture of two young boys with oxen. Photo supplied by Judy Logsden, Floyd’s daughter.
A few weeks after arriving in New Vrndavan at the end of 1973 I was incorporated into what was then referred to as the “plough department.” Although most of the work with the horses at that time was being done by Kasyapa Das (Varsana Swami) the department was headed up by Paramananda Das.
At that time there were three teams of horses. Tom and John a beautiful team of young Belgians that Kasyapa drove, Prince and Molly a team of white horses which I was trained on and drove, and Ranchor and Saivya which were primarily a back up team.
In the next year Manonatha Das and Garga Rsi also drove the horses for brief spells. My brother in law Kholaveca Sridhar Das, was a frequent helper to all the various horse drivers. Madhava Ghosh worked closely with all aspects of the “plough department.”
Across the road from Bahulaban in a very small house just past the “new barn,” lived Floyd Coffield. At that time I believe Floyd would have been in his late sixties or seventies. Floyd Coffield was the person that sold the Bahulaban property to the community and then continued to live there in its shadow.
When I was learning about the horses on more than one occasion Paramananda Das took me out to meet with different local farmers that he had developed a rapport with. Sometimes it was in regard to buying equipment and sometimes just to learn from them. Both Paramananda Das and Kasyapa Das had not only talked very highly about Floyd Coffield and his knowledge of farming and specifically the horses but both took me over to meet with him and ask him questions at different times.
Floyd was always very generous not only with his time but also generous of spirit. It must not have been easy for an elderly man from West Virginia to understand and accept a bunch of young westerners living the lifestyle that we did but you would never have known it by how Floyd treated us.
When Floyd turned ninety years old which must now be almost twenty years ago we had just tried to start a “New Vrindavan Residents Association.” One of the first and only things we ever did before disbanding was to purchase a gift certificate of one hundred dollars to present to Floyd for his birthday. Looking back now it is something that we did for a neighbor that I think we could all be proud of. I wish we could have done more not only for Floyd but for other good neighbors such as the Bardalls.
Floyd’s daughter Judy still lives across the road and has remained a good friend to many members of the community. She presented me with the picture of Floyd and his brother and their team of oxen outside of the building which would become the temple of Sri Sri Radha Vrndavan Candra more than five decades later. I would dare to say that the picture shows two of the earliest cowherd boys of New Vrindaban dhama.
HG Jai Nitai Prabhu. Appearance of Lord Varahadeva. 11.02.2014
It is the same message: “Chant Krishna’s name, worship Krishna, accept Krishna as your life and soul.” But the people Srila Prabhupada was approaching did not even know who Krishna was. The people Lord Nityananda approached in Navadvipa to chant Krishna’s name, worship Him, and accept Him as their life and soul knew who Krishna was; they knew what Nityananda Prabhu was saying. But in America and Europe, nobody knew who Krishna was. So that simple request had to be explained in detail, and thus Srila Prabhupada wrote so many books to explain Krishna and His name and His service. It was the same message that Sri Chaitanya Mahaprabhu asked Lord Nityananda to deliver to everyone, whether pious or sinful, but in an expanded form, because the people Srila Prabhupada was approaching had no idea who Krishna was or what the significance of His holy name was or how to worship Him. Srila Prabhupada had to explain the message, but the essential message was the same.
I pray that I may engage in the service of the moving and non-moving residents of Vrndavana. What are Brahma and the other demigods in comparison to them? The residents of Vrndavana are more glorious. They are very dear to Vraja’s king. Their forms are eternal, spiritual and full of nectar. Their glories are limitless. They are the root that sprouts into the bliss of the Upanisads.
[Source : Nectarean Glories of Sri Vrindavana-dhama by Srila Prabodhananda Sarasvati Thakura, 1-61 Translation.]
(Kadamba Kanana Swami, March 2011, Melbourne, Australia, Lecture)
When we look at all the devastation in the world, all the pain and suffering, then we think, “It’s too much! It is! It really is!”
The only way to rise above it is to look at the bigger reality – how there is eternity and how these temporary ups and downs are not so important. We should ascend this temporary reality. We should not allow ourselves to become so involved in this reality. So again and again, we have to remind ourselves that through our embodiment, we are inclined to become involved in this temporary reality. It is difficult! We cannot see the whole picture. We are like a small piece on a chess board – all we see is our own square. We don’t see the whole board.
But we have to always remember, “No, no! It’s part of a bigger plan and Krsna is simply purifying the living beings and bringing them back to him.” The living being is going through this cycle of birth and death, and when he gets a chance to express independent desire, it will be taken away. In this way, slowly the living being is being cured from this particular conditioning so that he can return to Krsna, in the eternal spiritual world. Once he is there, it is like he has been away only for a moment. Only for a moment! All this time in the material world… only a moment in eternity! So we have to practise again and again to see the bigger picture!