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“Modest Elegance” – An Interview with Varsana Maharaj
INTERVIEWER: Please describe your project to us, Maharaj.
VARSANA M: Our Govardhana Hill project, featuring Radha Kunda and Syama Kunda as central landscape features, Radha Gopinath as the resident deity, and Their temple as the prime focus, derives inspiration and direction from a consistent thread interwoven through the fabric of Srila Prabhupada’s instructions, vision, and desire for New Vrindaban.
Srila Prabhupada’s vision for New Vrindaban includes five main topics, one of which is holy pilgrimage. New Vrindaban is, of course, an ongoing and very important place of holy pilgrimage for many devotees and pilgrims all over the world. In addition, Srila Prabhupada had a specific vision, which we will discuss shortly, for exactly what he wanted to see in New Vrindaban as a place of pilgrimage, and that is what I am basing my project on. I was surprised to learn that many devotees were NOT aware that the “Seven temple on seven hills” concept was exclusively Srila Prabhupada’s idea! This explained to me why we weren’t attracting much support or participation for this first of the seven temples.
As a point of reference, and framework for understanding, consider Srila Prabhupada’s response to news of the potential for land in Appalachia. His response revealed an endearing aspect of his personality which is not readily apparent. He said something wonderful – “I have a fancy for your country,” he told Hayagriva, in his letter written from his residence at the Radha Damodara Mandir.
This was in 1968, the very first letter that Hayagriva received from Srila Prabhupada in India.
Srila Prabhupada went on: “I have a fancy for your country. And being inspired by that fancy, I went there first. Now, Krsna is blessing a nice piece of land which resembles Vrindaban, to be a new place of pilgrimage for you western devotees. If turned into New Vrindaban, I shall forget to return to India!”
And later, “Now I’m trying to return to the United States as soon as possible.”
These words of Srila Prabhupada are both very clear and revealing.
Later that same year, Srila Prabhupada wrote again to Hayagriva.
“Because I’m getting older, and if any time you take me to your new hermitage, I will be glad to go there, and finish my life translating Srimad Bhagavatam and the Goswamis’ literatures.”
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INTERVIEWER: Wow. There are probably a lot of devotees who were not aware of these letters.
VARSANA M: There is more! That same year, 1968, Kirtanananda and Hayagriva went to Montreal to see Srila Prabhupada. They explained to him that New Vrindaban has long roads and is quite hilly. Srila Prabhupada replied that it is better to use horse and wagon than jeep. Then he became very specific.
“All the hills and temples should be named after the goswamis’ temples in Vrindaban.” Then Srila Prabhupada’s eyes became wide with the anticipation of seeing these temples manifest. He went on, ““Rename the hills Govardhan. If there are lakes, name them Syama Kunda and Radha Kunda.” “Vrindaban is a transcendental village completely dependent on nature’s beauty and protection. Therefore dedicate yourselves to plain living and high thinking.”
These ideas are what I base my project on. Of course, I, personally, have no money or manpower, but this project is definitely taking on a life of its own and receiving support from our family of devotees.”
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INTERVIEWER: Why Radha Kunda and Syama Kunda? Why does Srila Prabhupada say it’s important to name the lakes Radha Kunda and Syama Kunda, after the original lakes in Braja?
VARSANA M: The answer is both profound and practical. When Lord Gauranga went to Vrindaban, He asked “Where is Radha Kunda? Where is Syama Kunda?” He saw these sacred ponds as crucial to His mission.
The waters of Radha Kunda infuse the soul with a love for Krsna similar to Radha’s, and, similarly, the waters of Syama Kunda infuse the soul with love of Radha similar to what Krsna feels for Her.
Lord Gauranga and Srila Prabhupda know that these kundas are instrumental in perfecting our chanting. The acaryas tell us that having access to these ponds is very significant in developing a taste for the holy name. It’s not just abstract. It’s very concrete in developing our love for Krsna through hearing and chanting.
These are very humble beginnings. Eventually, it will be a demonstration of modest elegance.
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INTERVIEWER: Maharaja, please tell us a bit about the Temple building itself.
VARSANA M: The temple itself will be 50 feet high with a dome on top. The temple is being fashioned, in a simpler way, after Madhu Pandit’s first and original Radha Gopinath Mandir in Vrindaban, before it was desecrated by marauding Moghul iconoclasts.
The community celebrated Radhastami in 2012 inside the walls of the new Radha Gopinath temple, as we revealed completion of the first phase of construction, and this was the turning point, when it became acceptable in people’s eyes.
To honor Srila Prabhupada’s words, desire, and vision, it is crucial that my generation complete at least the first of the seven temples that Srila Prabhupda wanted for New Vrindaban, in our lifetime.
Everything here is arranged according to the terrestrial features of the original Vrindaban.
This model that you see is for design purposes only. We do not have 3-D CAD (Computer Aided Design) ability on our computers, so this is not exactly what the finished temple will look like. This is a model of the basic shape and design of the temple. Many more embellishments will adorn the outside of the temple.
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INTERVIEWER: We know that Josef has been doing a great job guiding parikrama parties from the temple to the Radha Gopinath Hill here. Can you elaborate on that aspect?
VARSANA M: Yes, he certainly has. But he needs some place markers and written stories. And he needs signs which mark the way, in order to execute the parikrama following the proper protocol, which is as follows, just as it is in Vrindaban.
You begin at Kusum Sarovara (swan lake) at the foot of Govardhan Hill, then you pass the big Gaura Nitai statues, Who are inviting and blessing pilgrims to follow Their footsteps.
Then you come to Manasa Ganga, a small version of which we excavated this year. The parikrama path curves up the hill, where you go to Lalita Kunda, then to the rock temple of Kundesvara Mahadeva Siva, and finally to the Gopinathji temple.
The central features are Radha Kunda, with its guardian swan floating upon Her waters; next is Syama Kunda, which is surrounded by the kundas of the sakhas, of which Sridama Kunda is already manifest.
There are smaller parikrama paths within the larger one. They all end at the Gopinath Mandir.
You can also turn onto the path to Prabhupada’s Palace if you’d like, which, spiritually, brings everything full circle. These are some of the many options depending on the time you have, the weather, if you’re in a wheelchair, etc.
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INTERVIEWER: I know there are people who would love to help with this project. How can they do that?
VARSANA M: We need signs that describe each place on the paths, as well as direction signs to clearly point out the different parikrama paths.
I’ve already written up many meditations for each of the holy places for which we need volunteers with literary and computer skills to accomplish the task of publishing, laminating and posting all of these stories.
All the material is there; it just needs to be coordinated. There are people already working on this who could use help.
As far as physical help, there are plenty of landscape opportunities.
So the modest elegance of the Radha Gopinath project has reached the stage of being appreciated. The larger aspiration is encouraging people to appreciate New Vrindaban in general.
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INTERVIEWER: Why did you choose this particular design for the temple? Can you please give us some kind of historical perspective on that?
VARSANA M: The design closely resembles the original Radha Gopinath Mandir inspired by Madhu Pandit, who is entrusted with the care of the original Radha Gopinath deities, who were installed by Vajranabha, Krsna’s great grandson!
His sponsor was Rayasila Shekhavata who was granted land by Akbar in appreciation of his defeating the Afghans.
It is commonly accepted that Radha Gopinath Mandir was built before Madan Mohan and Radha Govinda temples.
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INTERVIEWER: Some people have asked if you know whatever happened to the same Ananta Sesa who was installed in the cornerstone of the Govindaji Temple.
VARSANA M: There’s a story behind that one! Ananta Sesa, who rests in the N.E. cornerstone of this temple, was first installed in 1973 for the foundation of the Govinda temple, which was never built. The cornerstone was relocated to the Temple of Understanding, which was also never built. At last the cornerstone ended up here, where, one day, in the middle of a Kartik lecture, I saw Ananta Sesa looking out from a hole which had developed in the cornerstone over time. I took this as a sign that He needed and wanted to take up the rightful position in the footer of a temple that would be built upon His hoods, which uphold the entire creation, after 39 years of living within a cornerstone that was repeated being moved!
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INTERVIEWER: So THAT’S where Ananta Sesa ended up! Ecstatic! There are a lot of exciting things going on up at your place, I see. Maharaja, is there anything else you’d like to say about the Radha Gopinath Mandir project?
VARSANA M: For Srila Prabhupada, the jagat guru, spiritual master of the universe, home means Vrindaban – nowhere else. And that is what constitutes the Holy Dhama – the presence of the acarya who carries Krsna in his heart and can thus install Him anywhere.
It is not our own endeavors to build temples, excavate kundas, and rename tracts of land according to their facsimiles in Vraja. It is the presence of Srila Prabhupada that makes this place, in his own words, “non-different from Vrindaban.”
Srila Prabhupada affirmed that he had indeed taken up residence in the Palace, which is his Samadhi, where sincere sadhakas can take up and develop their ongoing relationship of service with him.
Our Govardhana Hill project and the Radha Gopinath temple are for the purpose of complimenting the Palace grounds according to Srila Prabhupada’s vision, a replica of Vrindaban, to assure his pleasure of feeling at home.
Nava-varja Mahima English is finished.
The TOVP attracts people from around the world who would like to offer their talents and expertise to the project.
The latest gentleman to join the team is American artist, Edward Breathitt. A native of Kentucky, Mr. Breathitt is now based in New Delhi where he runs his own business creating beautiful art for public and private commissions. He first came to India as a young spiritual seeker, feeling the need to dive deeper into the knowledge this land offered. He also studied the architecture of Indian temples and became absorbed in their ornate beauty. He began dividing his time between India and the USA until his stays in India became longer in duration. In 2004 he met a lovely Indian woman who became his wife in 2008. They now have a beautiful daughter together.
Mr. Breathitt recently visited Mayapur and was immediately spellbound by its natural opulence and energy. He spent a few days in discussions with the artists at the TOVP and they agreed that he would help with the sculpting. While he was here, he worked on a bust of Srila Prabhupada as a gift to the TOVP. Of his experience, he said that working with clay from the Ganga on such a significant piece of art felt like a gift and that the quality of his work felt strong.
We appreciate his talent and enthusiasm. We are happy he has found a place with us and we are eager for his next visit.
HH Bhakti Vidya Purna Maharaja, Soho, London
(Kadamba Kanana Swami, 20 July 2013, Cape Town, South Africa, Spirit Matters Program)
Even when we are so transcendental ourselves, we still have to take people’s feelings very serious, even if they are partially motivated by false ego - it doesn’t matter, just like a child. But when you are an adult, you see it different although a father leaving home is not a small thing; that is real suffering but what can be done!?
When I was a kid, I lost my favourite toy car in a sand-pit; I never got over it. It was a big thing. I dug up the whole sand-pit and sifted through the whole thing but never found my little golden Jaguar, as it was called. What a drama it was!
Now, of course, I look at it a little bit different but my little golden Jaguar stands there to remind me that for me, that was a very important thing. So, what really counts is what is really important to people. I don’t think that we should go around and put labels on people and say, “False ego!”
I think that we should take serious what is serious to others otherwise how will they take us serious. If I am so transcendental that I don’t take anybody serious, that doesn’t make sense at all. Then I become cold and disinterested from people.
Like Prabhupada, he was very transcendental yet he could be very human with human beings. He was able to come down to what moved people although it didn’t move him in the same way.
To cleanse the mind and heart from all misconceptions, one should take to this chanting of the Hare Krishna maha-mantra. This is both easy and beneficial.
New Vrindaban: The Spiritual Frontier
Back To Godhead Article – June 1974
By Vishaka devi dasi
By His inconceivable potency, the Supreme Lord Sri Krishna appeared 5,000 years ago as a cowherd boy in the village of Vrindavan, India. The devotees of the Hare Krishna movement, therefore, who have established a 1,000 acre Krishna conscious community in West Virginia, have called it New Vrindaban. In New Vrindaban, the devotees find that by following the Lord’s example of living with what the land and cows provide, they can easily be free of all economic problems. By pursuing Krishna consciousness in such an untroubled atmosphere, one can reestablish one’s eternal relationship with the Supreme Person and thus begin the joyful journey back home, back to Godhead.
Their Lordships Sri Sri Radha Vrindaban Candra are the worshipable Deities who preside over New Vrindaban.
Top: A new barn raises in a New Vrindaban field.
Above: A devotee quietly chants the Lord’s holy names while observing the opulence of His creation.
One can start this journey back to Godhead here on earth, by developing an attraction to serving the Supreme Personality of Godhead. In the material world, we are not able to see Krishna everywhere. Therefore He appears in the form of the worshipable Deity in the temple to accept service from His devotees.
The devotees in New Vrindaban work hard at their different duties, but they all work on behalf of the Deity. Both the Lord and His devotees derive transcendental pleasure from such devotional service. Throughout the world, the disciples of His Divine Grace A.C. Bhaktivedanta Swami Prabhupada are following this authorized process of self-realization—bhakti-yoga, or devotional service to Krishna, the Supreme Lord.
Top: Devotees gather hay, pick tomatoes and till the soil. Farming in New Vrindaban is transcendental because it is performed not for any material motive, but as service to Krishna. Middle: In the morning, afternoon and evening the devotees come together in small groups to sing devotional songs and have classes in Bhagavad-gita and Srimad-Bhagavatam. Above: Picking flowers for Their Lordships Sri Sri Radha Vrindaban-candra.
In his purports to Srimad-Bhagavatam Srila Prabhupada writes: “The secret of success is to take refuge under the protection of the Supreme Lord. Without His sanction, nothing can be possible. The rivers, the hills, fruits, flowers, grains and so on are not creations of man. They are all creations of the Supreme Lord, and the living being is allowed to make use of the property of the Lord for the service of the Lord. By His will, there is enough of everything, and we can make proper use of things to live comfortably without any enmity between men, between men and animals, or between men and nature. The control of the Lord is everywhere, and if the Lord is pleased, every part of nature will be pleased.” It is this Krishna conscious understanding that has made New Vrindaban an exemplary community, worthy of being emulated throughout the world.
Visakha-devi dasi graduated from Rochester Institute of Technology in 1970 and then wrote a technical book on the art of close-up photography. She and Yaduvara dasa, her husband, also a professional photographer, joined ISKCON in 1971, while shooting assignments in India. They are now traveling around the world making documentary films about the Krishna consciousness movement.
The post August 11th, 2013 – Darshan appeared first on Mayapur.com.
Mahavishnu Swami Morning Class – Green Gathering Festival – 3 Aug 2013
Avidya, a misconception about one's spiritual identity, provides the foundation for ahankara, or false ego within the heart.
Visiting the Radha Kunjabihari Mandira in Klung Kung is always a pleasure. This temple, which was designed by a local devotee architect, is very beautiful with an asrama, gardens, pond, kitchen and hall. The deity room and simhasam are made in an attractive Balinese style.
Giriraja Publishing, part of the BBT publishing group, has released the translation and commentary on Srila Jiva Gosvami’s Tattva-sandarbha done by Gopiparanadhana Dasa. You can purchase it at blservices.com
The post Giriraja Publishing releases Srila Jiva Gosvami’s Tattva-sandarbha appeared first on Jayadvaita Swami.