The Milk Issue Part 2
→ Life With the Cows and Land
Discussion about the milk issue with Balabhadra das and members of the Hawaii ISKCON temple Part 2.
Websites from the ISKCON Universe
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“There is also a planet of trees presided over by Aryama, who represents Krsna.”
—Bhagavad-gita As It Is, first edition, purport to 10.29
“There is also a planet of trees presided over by Aryama, who represents Krsna.”
—Bhagavad-gita As It Is, first edition, purport to 10.29
Turning many heads at last year’s Ratha-yatra festival in Los Angeles was a colorful sight: a man on stilts and dressed as a tree, lushly adorned with leaves and branches. Apparently he is a well-known figure at Venice Beach.
Spotting him, my godbrother Svavasa Prabhu, the president of the Los Angeles ISKCON temple, called out to me, “Look! The planet of the trees!”
I was too late to snap a picture of the tree-man. But I picked up pictures of him and other “tree people” from the internet.
Once, a few years before, in Long Island, I’d had a — well, I guess you could call it a chat — with a bold young fellow from Bangalore who proudly declared that since “the planet of the trees” was in the original edition of Bhagavad-gita As It Is, the edition Srila Prabhupada had personally approved, at least he (that bold young fellow from Bangalore) had full faith that there really is such a place.
So for those who would accord a special sacred status to “planet of the trees” and other such editorial errors (and for anyone else who might find such curious matters interesting), here you have them: images from… … . The Planet of the Trees!
Please don’t get me wrong. The first edition of Bhagavad-gita As It Is is a marvelous transcendental book, full of spiritual potency. So if that’s the edition you prefer, fine. In that case — if you’re sincere and honest about wanting to follow Srila Prabhupada’s instructions — please buy it from the BBT.
Hare Krishna.
Every year I make my personal finances public. Attached is an accounting of my finances for 2012.
BY SANTI VARDHANA CAITANYA DASA
PHOTOS BY MULAKARANAM DASA
UPDATES FROM KUALA LUMPUR
6/2/2013 1.26pm
HH Bhakti Vrajendranandana Swami has unfortunately contracted shingles.
The Doctors at Mawar Specialist Hospital are at loss what to do because it would
need a strong dosage of antiviral drugs to counteract the resistant bacterias of the shingles.
They are afraid it would worsen the liver sclerosis.
They are already giving the antiviral drugs. However they are concerned about the liver sclerosis.
Therefore, they had advised that we use traditional medicines or even prayers simultaneously.
Today Maharaja went to Mahkota Hospital in Malacca for liver check up and met
a liver specialist. According to the liver specialist, Maharaja's liver is 10% damaged due to auto immune hepatitis. Auto immune hepatitis is a form of immune disorder whereby the body's own immune cells attacks the liver cells. This progressively damages the liver daily and the doctors have to prescribe immuno-suppressant drugs in order to suppress the immune cells from attacking the liver cells.
Unfortunately, by doing so, it would lower the immune system of Maharaja's body. Any form of sickness could create damage to Maharaja's health. The liver specialist has confirmed that without administering this drug the liver would be completely damaged within a year.
Therefore, the Doctors are looking from all angles to see what is best for Maharaja to recover from all these complications.
We humbly request all devotee to please increase your prayers and hold kirtans in your respective temple for Maharaja's health.
BY SIMHESVARA DASA
18/1/2013 2.44pm
18/1/2013 2pm
The two hour angioplasty operation was successful.
The major block was cleared and Doctors placed a stend
and few other blocks were also cleared.
Maharaja is conscious and responding well to devotees.
He will be monitored for next six hours and will rest at
Mahkota Specialist Hospital Malacca. Tomorrow, HH will be
transferred back to Mawar Specialist Seremban to continue
medication for liver sclerosis.
17/1/2013 9pm HH Bhakti Vrajendranandana Swami Maharaja will be taken to Mahkota Hospital in Malacca tomorrow morning at 7am for angioplasty operation.
17/1/2013 5.51pm
HH Bhakti Vrajendranandana Swami Maharaja had a massive heart attack at 4 PM. His condition is critical now. Simheswara Prabhu has to decide whether to bring Maharaja to the Temple or send Maharaja for the Angioplasty operation.
BY SIMHESVARA DASA
17/1/2013 1.11pm
I had just visited HH Bhakti Vrajendranandana Swami Maharaja. Maharaja is better now. HH is speaking and breathing is with a bit of problem. Dry cough. Plan is to do angioplasty on one or more blocks.
In the collection that is Classic ISKCON Records, there have been a lot of strange practices that went into making these records. From incredibly shoddy recording to bizarre disorganization, it’s been very difficult to figure out not only what was released, but who released it and when.
The Mayapur LP covers all of these bases. And though it’s far from the most disorganized release, this one has me absolutely confused.
By all looks, this is an album that contains a live recording of a Hare Krishna Festival. That festival probably took place in Mayapur. The word “Mayapur” is on the front cover, and on the back there’s a blurb in four different languages that talks about the Mayapur festival. It explains that nobody in this recording was a professional musician.
The label of the record itself gives us a little more information, stating: “Live recordings of a Hare Krishna Festival.” Side one is simply entitled “Part I,” while side two is labeled as “Part II.”
So it seems pretty straight forward. Someone took a microphone and a tape recorder to the Mayapur festival, made some field recordings, maybe touched them up a bit, and then cut a record.
But that’s not actually what’s on the record. The recordings are three tracks of Srila Prabhupada. Two are definitely from the studio, while the last one could be live (or it could simply be in a bigger studio with more devotees).
Getting back to the confusion, I have no absolute idea which record label released this. The record definitely comes from Germany, and in Germany there were two ISKCON-based record labels. One was called Hare Krsna Records, which mostly released recordings made by Hansadutta das. The other was called Radha Krsna Productions, and it mostly released music by Acyutananda das. That said, both labels were somehow related and released at least one identical record (the Hare Krishna Festival, which I’ll reconvert soon, I promise).
The blurb on the back cover alludes to Hare Krsna Records. The center paper label makes no claim to either organization. However, the etching on the runout groove of the vinyl (called the matrix) is: RKP-1006. If true (and I believe it is – mostly because I have to believe in something), that would make this Radha Krsna Productions’ sixth record – and probably their last.
The Music
Side A
1) Hare Krishna MantraSide B
1) Sri-Sri Gurv-astakam
2) Jaya Radha Madhava
The first song, which takes up all of the first side, is the same recording featured on the first Krishna Consciousness record, released by Happening Records in 1966 (which I will get to soon enough). This was the only other time (as far as I can tell) that it appeared on vinyl. The second side contains two songs, the first of which is a fairly famous version of “Sri Sri Guru-astaka.” Both of these songs appear on the Hare Krishna Classics & Originals CD released in the 90s.
The last song is “Jaya Radha Madhava,” but it’s no version I’ve heard anywhere before. It’s not any of the BBT CDs, nor on any of the “Vintage Series” CDs. It’s also not been released on any other vinyl records as far as I can tell. This is a very sweet version with a full congregation of devotees chanting along.
You can listen to samples below:
Wild Speculation
As with most of the Classic ISKCON Records, we’re left with zero details about the recording, pressing and distribution of this release. In actuality, none of it makes any sense. Here’s both a record cover and label that appear to contain recordings of the Mayapur Festival. Yet, when you drop the needle, you’re blessed with Srila Prabhupada instead. How this came about is anyone’s guess.
My speculation is this: The devotees, perhaps in 1976 or so, decided that it would be nice to release a record of field recordings from the Mayapur Festival. Thinking that nothing could possibly go wrong, they threw together an album cover, got a bunch of labels printed and then went to record the festival. Along the way, somehow something went horribly wrong. Maybe the devotee tasked with pushing the [REC] button spaced out. Maybe it was recorded, but somebody misplaced the tapes (ie, “spaced them out”). Maybe the sound quality was so horrible that it was rendered unlistenable. Whatever the reason, the music they wanted to appear on this record wasn’t available.
So rather than trash a thousand (or more? less? who knows!) covers and labels, they decided to fill it with Srila Prabhupada. Listening to it, I can tell that they must have had the master tapes (or a good copy thereof) in their possession. The first song sounds great, especially considering it’s the oldest of the bunch. The second and third sound even better. With these in hand, they then sent thirty-three minutes of mono music to the pressing plant. And what we have now is a Srila Prabhupada album, half of which had been already released, in a record cover claiming that it was a stereo recordings of the Mayapur Festival. Surprise!
The Archival Process
This was one of the easier records to work on. My copy of it is VG+ on the Goldmine Scale, and while it’s got its fair share of pops and clicks, it sounds pretty good. You’ve got to understand that I’m archiving, not restoring. The difference is that while I am doing my best to fix the many, many tiny pops and clicks, it’s simply not possible to fix them all. While I can assure you that this particular record has never sounded better, I also have to remind you that it has been sourced from a 35 year old chunk of vinyl that has gone through the hands of who knows how many people (apparently including someone named Werner Wilde who thought it a good idea to put address stickers on his records). You will still hear some pops and clicks. The only way to really avoid that is to acquire the master tapes and do a full restoration.
I have archived this record in both lossless FLAC (level 8) and as high quality MP3s (320kbps). For most, the MP3s will do just fine.
Just click on the button and it’ll take you to a page where you can download the zip file. Then open the zip file with WinZip (or whatever program you use to open zip files). Add to your MP3 library or burn it to a CD-R. Easy as pie!
Technical Information:
Media Used:
Vinyl LP from my personal collection.
Audio Equipment Used:
Turntable: Pro-Ject Debut Carbon w/ acrylic platter and Speedbox II
Cartridge: Ortofon 2M Red
Preamp: Bellari VP-130 w/ Sovtek 12AX7LPS Vacuum Tube
Soundcard: Roland Edirol UA-1EX USB external soundcard
Software Used:
Audacity 2.0.1 on Linux Mint 14 (recorded at 24bit/96kHz)
Gnome Wave Cleaner 0.21-17 (click/pop removal)
Gnac 0.2.4 (to convert file to 16 bit FLAC level 8 and 320kbps MP3)
Artwork:
Scanned at 300dpi with Epson v500 Scanner
Edited and Restored Using GIMP Image Editor 2.8.2
The Oxford Centre for Hindu Studies, in partnership with the Alliance of Religions and Conservation, is addressing the need for custodianship of pilgrim sites within India. They have begun the Bhumi Project, an endeavor aimed to create awareness regarding the effects of pilgrimage on the environments of holy refuges. In November, I attended a conference on this subject as the representative of the Temple of the Vedic Planetarium. Many pilgrimage towns were represented for a weekend of discussions centering on planning the environmental sustainability of these revered sanctums.
Spiritual havens in India attract millions of visitors each year as they offer their obeisances to treasured deities and honor sites of worship. Grand festivals glorifying significant gods are auspicious milestones in the calendars of many. Attendance is welcomed and the festivities abound with joy.
However, while each step of a parikrama and each esteemed celebration are invaluable tributes, the aftermath of such glorification remains the responsibility of the local communities. Considerations such as green energy, trash disposal and recycling are among the many topics needing attention to ensure that the environmental impact on these respected places of homage is contained.
Since the Temple of the Vedic Planetarium will be a prominent feature in Mayapur and the surrounding areas, the management and planning officials of the project have assumed the responsibility of stewards of the local communities. Several progressive technologies will be employed in the new temple, the most exciting being one which will harness the natural power of Mother Ganga. Called a hydrokinetic turbine, the system is simple technology and easy to build. It has a proven history of successful installations worldwide on slow running rivers and canals. An area of the Ganga has been found which is deep enough and has enough speed to accommodate the needs of this small device. The turbine will float like a boat in the river and a single installation will produce approximately 75 kilowatts per hour. This translates into producing nearly half of Mayapur’s daily 4000 kilowatt consumption in 24 hours. Additionally, the hydrokinetic turbine is safe for the aquatic life and natural habitat in the river due to its slow rpm, open structure and silent operating.
Building a spiritual city is a huge undertaking requiring the dedication and forethought of many. The directors of the ToVP recognize the duties of their positions and work tirelessly to commemorate the sanctity of Mayapur in thought, word and deed.
For more information on the Bhumi Project, please visit bhumiproject.org.
As I’m getting ready to pitch into Side Two of the Mayapur LP, I’ve also decided to start a Facebook Page for Sit Properly.
Rather than updating this blog every time I have something to say, I’ll post it on Facebook. This will keep you good people in the loop as to how the digitization of each Classic ISKCON Record is coming along.
Take a gander to your right and you’ll see the Facebook Like Box. Click it and it’ll take you to our page.
This will cut down on the frivolous and random posts on the blog, allowing the music to be the focus. And that’s the point.
Haribol!
Eric
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