It’s been well over a year since the last time I posted anything from my collection Classic ISKCON Vinyl. Since then, I’ve acquired a few items and I will eventually get around to adding the rest of what I have (no promises as to speed, of course).
Visnujana Swami and the Children of the Gurukula
Isavasya Records
RK-108
However, a couple of days ago, I received a package in the mail from my friend Alan. Not knowing what to expect, I opened it and to my ridiculous delight were two Classic ISKCON 7″s. One was from Radha Krishna Temple (Los Angeles), which I already had, though my copy is trashed and this new one was in very good condition, plus it had a picture sleeve! I was delighted, to say the least.
The second one, however, nearly brought me to my knees. I had heard of it before, but figured that I’d never get a chance to listen to it, let alone add it to my collection.
Sometime in the early 70s (I assume), Visnujana Swami recorded two songs with the Dallas gurukula and released a 7″. I remembered that Alan had told me about it, but after I basically wet myself on Facebook, unable to thank him enough, he told me how he received the record.
Side 1
Prayer to Tulasi Devi
Side 2
The Golden Avatar and the Hare Krsna Mantra
One fine spring Saturday afternoon, almost 40 years ago, a Greyhound bus pulled into Riverside Park, a tidy, quiet park near two college campuses in the Bellhaven area of Jackson, Mississippi. It was a Greyhound bus, but no ordinary Greyhound bus–this was a bus from the Radha Damodar Traveling Sankirtan Party. For those too young to remember, the Hare Krishnas converted three Greyhound buses into mobile temples to bring the message of Krsna consciousness to every town and village in the United States and Canada.
I couldn’t believe my eyes, ears and nose as devotees poured out of the bus; a wondrously exotic sight of saffron and white flowing garments, shaved, tilaked heads, the ching-ching-ching sound of kirtals, and a smoky-trail of Spiritual Sky incense billowing out with each devotee as each stepped out of the doors of the bus. The first one out was carrying a sparkling fiberglass (mirdunga) drum, and wasted no time in producing an infectious, exotic, melodious rhythmic beat. Well, up until then, I had seen these other-worldly young men and women, chiefly in my travels to and around New York City. These were the cultish people who approached my dad and I at the Atlanta and New York airports, books and incense in hand for anybody that would stop and give a moment. Taking walks with my Hasidic grandfather in the Lower East Side of the city, we’d often spot a group of these young men wrapped in saffron-colored sheets, surrounding a golden, glowing little elderly Indian man whose feet seemed to glide above the sidewalk. The mass of shaved heads with little pony-tails would stop every so often as the little golden man appeared to be expressing a point, arms and hands waving about–little did I know then, that the little golden man was His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, Founder-Acharya of the Hare Krishna Movement.
As the Hare Krishnas left the bus, the mirdungas and kirtalas multiplied to produce a sound that seemed oddly familiar, not to my ears, but to my soul. Immediately, a group of people were drawn in, mostly college students, some hippies, and myself, a young, soon-to-be Bar Mitzvah boy. We joined in a circle of exuberant, uninhibited dancing and chanting lead by the devotees. This was my first kirtan.
A day or two later, the local FM radio station (which introduced the London Temple Album to Jackson), announced that the Hare Krishnas were giving a lecture and meditation discourse at an apartment near Millsaps College. My mom, very liberal and open-minded, took me, after all, she was a big fan of ISKCON’s Spritual Sky incense (she bought from some devotees in New Orleans earlier that year), and hoped to replenish her supply. I don’t remember much about the discourse, other than chanting the Mahamantra that was printed on little cards given out to everyone present. “Please chant: Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama Rama, Hare Hare. Chant these words and your life will become sublime.” I didn’t realize it at the time, but the lecture was given by the mystical Vishnujana Swami Maharaja, as several years later confirmed to me by senior devotees at Mississippi’s New Talavana Farm Community.
Vishnujana was very kind to everyone, constantly smiling and patiently answering everyone’s questions. I remember tasting prasadam for the first time, thinking it was the most amazing food I have ever put in my mouth. Before leaving, Vishnujana made sure to thank everyone who attended personally, and gave my mom a KRSNA BOOK to which my mom gave a nice donation. Vishnujana Swami warmly thanked my mom, asked us to wait a moment, and briefly left the room. He returned with a 45 rpm record. My mom asked if it was a record of Indian music, to which Vishnujana laughed. I don’t remember his exact words but he explained it was a recording of a ‘bunch of ecstatic children screaming their love for God.’ We left that glorious evening, happily humming the mantra, KRSNA BOOK, Vishnujana record, and, oh yeah, Spritual Sky Patchouli Incense, in hand.
This record has given me and many friends years of listening pleasure. All thanks and praises to Eric, who painstakingly cleared out many scratches and clicks; now, this gem can be shared with so many others as it makes it debut into cyberspace.
All Glories to Srila Prabhupada!
Jaya Vishnujana Swami Maharaja Ki !!!!
Hare Krishna!
Aspiring to serve,
Alan
And now, Visnujana Swami and the Children of Gurukula…
Just click on the button and it’ll take you to a page where you can download the zip file. Then open the zip file with WinZip (or whatever program you use to open zip files). Add to your MP3 library or burn it to a CD-R. Easy as pie!
Download the FLAC files here, if you like.
Technical Information:
Media Used:
Vinyl 7″ from my personal collection.
Hardware Used:
Turntable: Audio Technica PL-120A
Cartridge: Shure 97x
TCC TC-750LC Audiophile Phono Preamp
Soundcard: Roland Edirol UA-1EX USB external soundcard
Software Used:
Audacity 1.3.12 on Linux Mint 10
-Digital recording from soundcard
-Editing and splitting of tracks
Gnome Wave Cleaner 0.21-12
-Manual and automatic click/pop removal
SoundConverter 1.4.1
-Converted WAV to 320kbps MP3 and FLAC
Artwork Scanned from Original @ 300 dpi with XSane .996
Edited and Restored Using GIMP Image Editor 2.6.6