
Without a temple the devotees in Moscow, Russia, transform a whole central park in a temple by Harinama (111 photos)
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NEW BOOK Mahabharata: The Eternal Quest
by long time New Vrindaban resident and award-winning storyteller Sankirtana Das
In the late 1960’s, while in college, Sankirtana Das discovered an old book in the library. The Indian Story Book (1914) by Richard Wilson, a collection of India’s ancient stories, included some from the epic Mahabharata. Sankirtana majored in Theater/ Film and turned one of the Mahabharata stories into a one act play. His theater class chose the piece as one of several plays they performed for elementary schools in New York City.
Sankirtana Das was initiated by Srila Prabhupada in 1973 and has resided in New Vrindaban for over 37 years. He developed the theater program here and wrote, acted and directed numerous plays throughout the 80?s and into the early 90?s. He and Lokamangala prabhu developed and performed a two-actor, two hour Mahabhharata drama for Off Broadway in NYC (1987), which they also toured to temples, colleges and special events for four years. Their performance touched many people who were fascinated that each of the actors took on several roles, including the role of storytellers. Devotees would often suggest that they develop a full length Mahabharata film. But that was not to be.
Sankirtana started working on his Mahabharata manuscript in 2000. He explains the intent of his rendition was threefold, “to deliver the story as good literature, to give it a cinematic slant, as potentially the basis for a film, and to keep it at a length that could easily be studied in college classrooms.” Gradually, the manuscript came together as he tried to find the unique elements of each part of the story. He recalls, “Sometimes it was exhilarating. Sometimes it was discouraging. I wondered if I could really pull it off successfully. Sometimes I would stop writing for weeks or months at a time and go on to other projects. But over the years, writing Mahabharata has been a wonderful meditation for me.”
Now the book, entitled Mahabharata: The Eternal Quest is finally available. See www.Mahabharata-Project.com It has received acclaim from scholars across the country:
“Fresh, fast-paced and cinematic! This book captures the scope and breath of this great epic.” Subhash Kak, PhD, Oklahoma State University (from the book’s Foreword)
“To condense the profound wisdom and rich culture of Mahabharata into a book of this size constitutes a formidable challenge. In his offering, Sankirtana Das has distilled the essence of the expansive scripture and has skillfully crafted a book which is accessible and comprehensible to a universal audience.” Varshana Swami, Author & Vaisnava Scholar
“Sankirtana Das maneuvers through the story’s monumental terrain with ease. His powerful narrative captivates and sustains the reader.” Kevin Cordi, PhD, Professor, Ohio Dominican U.
“Both entertaining and erudite, This rendering of the ancient Sanskrit epic delivers a text that is readily accessible to the layperson and refreshingly insightful to the scholar. A delight to read – and ponder over.” Greg Emery, PhD, Director, Global Leadership Center, Ohio University
“A stirring and authentic version. My prayer is that this Mahabharata will be enjoyed, studied and appreciated by people for years to come.” Dr. Laxmi Narayan Chaturvedi M.D, Author, “The Teachings Of Bhagavat Gita”
“A wonderful, rich narrative! Sankirtana Das does a fine job keeping all the threads clear, even as they interweave. I see his long career of storytelling at work on every page… it’s obvious how much work has been put into it… this book should be in every high school and college library.” Dr. Robert Rosenthal, Philosophy Chair, Hanover College, Indiana
For the last 20 years Sankirtana has offered professional storytelling programs and workshops in a variety of venues: schools, colleges, libraries, museums, temples, churches and special events. He is a recipient of a WV Artist Fellowship Award. His workshop, In Search of Story, delves into the creative process to help participants explore and share the stories of their life’s journey. For more info about his programs visit www.sacredvoices.com
Monday evening meeting with Turkish devotees in Istanbul.
In pursuance of the GBC’s recent recommendation that the ISKCON Disciples Course be taught to all of the Society’s aspiring initiates, Namhatta leaders and preachers recently attended the course in Sri Dham Mayapur, with the aim of making it available to more than 2000 Namhatta centers throughout West Bengal, Assam, and Odisha. Taking a break […]
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The Second Vaisnavi Holy Name Retreat at Ekachakra By Devaki devi dasi All of us chant the maha-mantra, but how much are we struggling to come to the platform of purely chanting the holy name. This struggle is so important for we all contend with constant stimulation from our mobile phones and the Internet that […]
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Madhava prabhu – Day 4 of Polish Woodstock 2013
Answer Summary: Yes, they definitely have that right, but the issue is not of rights, but of sending the right message about ourselves to others. When rights blind us to the right, we brand the right - modest dressing - as wrong, as old-fashioned.
Answer:
Today’s culture makes women believe that they have the right to wear any kind of dress, no matter how revealing. Those women who buy into this belief bristle at any suggestion that their provocative dresses might be a factor in sexual violence against women: “No matter how we dress, men have no right to force themselves on us.”
They are right, of course, that nothing makes sexual violence right. Offenders need to be punished. Swiftly and strongly.
But might bringing the question of rights be blinding us to the right issue?
Suppose a person walked down a dark alley with dollar bills sticking out of his pockets. If muggers rob him, they are culpable. But cops would also offer the common sense suggestion: “Better don’t keep your bills sticking out like that in future.” Suppose that person retorted: “I have the right to keep my money however I like.”
Agreed, that’s his right, but is it the right thing to do? After all, bills sticking out attract the wrong attention. Why attract trouble?
Researchers Carmine Sarracino and Kevin M. Scott in their book The Porning of America give the above example and point out the logical fallacy in the rights argument: “The issue of slutwear is often framed in terms of the wrong argument. ..The question is not, ‘Don’t I have the right to wear a micro-miniskirt and belly shirt?’ The more precise and pertinent questions are, ‘What do I want my clothes to say to the world about me? Do my clothes in fact say what I want them to say, so that others will be more likely to treat me as I want to be treated?”... What we wear, all of us, signals others in society about how we see ourselves… Slutwear (in itself, apart from any behavior) indicates, in the words of the APA [American Psychological Association] report, that girls dressed this way ‘exist for the sexual use of others’.”
The Bhagavad-gita (03.37) declares lust, the dark inner force that impels people to sexual violence, as the enemy of the whole world. Everyone needs to cooperate in combating this Public Enemy Number One. As an essential first strategy in combating lust, the Gita (03.41) urges regulation of the senses. Such regulation implies modest female dresses, for it limits exposure of their skin, which is one of their senses and which is the primary trigger for lust.
Yet today those making suggestions for modest dressing are verbally lynched as politically incorrect, as male chauvinists, as hopelessly outdated self-appointed moral police.
In our obsession with rights, have we ostracized common sense?
(Kadamba Kanana Swami, 8 September 2013, Johannesburg, South Africa, Home Program)
Our position is to become a messenger, to become an instrument and follow the path that Krsna went, then we will transform in the process. We “desire” our whole life so we must adjust our life.
The Hamsaduta is a work of a hundred and forty verses and today I will not go into so much detail.
Lalita is an expansion of Srimati Radharani. It is explained that Radharani has these eight principle gopis and they are her expansions. For different pastimes, different moods, she manifests these other forms. Therefore these gopis; Lalita, Vishaka and the other astasakhis; are described as shakti tattva. They are not jivas or living beings, like we are. These gopis are assisted by manjaris who are jivas. So, Srila Rupamanjari is the assistant of Lalita, a very intimate assistant of Lalita, and Srila Rupamanjari is none other than Rupa Goswami. So Rupa Goswami is the leader of our line, of our tradition. We are following Rupa Goswami and it is Rupa Goswami’s plan for us that is really the guideline for our life.
Rupa Goswami has given us the teachings in the Bhakti-Rasamrta-Sindu (Nectar of Devotion) and he continues in Ujjvala Nilami a then, he summarizes the points of Bhakti-Rasamrta-Sindu in the Upadesamrta, The Nectar of Instruction. They are very similar in context but summarized; very short. In the Upadeshamrta, he describes:
vaco vegam manasah krodha-vegaFirst we must be controlling the senses because one who can control the senses, he can be a teacher for the entire world. That is a messenger; he is transparent. He is a messenger of Krsna or a messenger of the representative of Krsna. Ultimately, he is doing Krsna’s work. That is where it begins.
Some people fear that devotion to Krishna will require them to renounce the world.
However, devotion requires not renunciation of the world, but its reconnection with Krishna. Arjuna, the Gita’s original student, didn’t renounce the world; he became a world ruler.
Why did Arjuna get so involved?
Because devotion is meant to include the world, not exclude it. That’s because the enlightened vision sees the world as it actually is, as the property of Krishna meant to be used by devotees in his service.
Of course, we can’t acquire this vision overnight; it requires sustained practice of devotional service. That practice fosters intellectual illumination and emotional reorientation: illumination to understand ourselves as souls whose real fulfillment comes by loving Krishna, and reorientation to direct our heart towards Krishna, not the world.
As we don’t yet have this enlightened vision, we need to be cautious. That’s why we stay away from some activities that are especially entangling and we make time regularly to keep our devotional connection strong. But beyond that we do our worldly duties responsibly to set an example for others and to thereby attract them to Krishna and to the path of devotion. The Gita (03.20) declares such example-setting a vital social responsibility that does loka-sangraha, a word that literally means maintenance of the world order.
This may raise a question: If setting an example is so important, then why do some devotees renounce the world?
Devotee-renunciates focus not on renunciation but on devotion; they use renunciation as a tool to focus singularly on sharing Krishna’s message of love with the world. Thus they inspire more people to reconnect with Krishna and reconnect the world with him.
Such is the glory of devotion – it includes in its fold both the world and renunciation of the world.
**
03.20 - Kings such as Janaka attained perfection solely by performance of prescribed duties. Therefore, just for the sake of educating the people in general, you should perform your work.
"In Bhagavad-gita we find that women are also equally competent like the men in the matter of Krsna consciousness movement. Please therefore carry on these missionary activities, and prove it by practical example that there is no bar for anyone in the matter of preaching work for Krsna consciousness." (Letter to Himavati, December 20th, 1969)
From Vidya Kotwani M
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Bada Hari Prabhu – Day 3 of Polish Woodstock 2013